艺术欣赏 急！！！
答案:2 悬赏:80 手机版
解决时间 2021-04-02 04:48
- 提问者网友：我一贱你就笑
- 2021-04-01 17:12
艺术欣赏 急！！！
最佳答案
- 五星知识达人网友：愁杀梦里人
- 2021-04-01 17:26
这是一幅表现耶稣上十字架的壁画。应该是一幅祭坛画。
中世纪的壁画，从人物造型上看画家和乔托可能有什么关系（抱歉这位画家我不太了解）。人物处理上比起早期典型的拜占庭风格要生动许多。
在光线和空间的处理上充分的考虑到建筑本身结构特点，画面和建筑融为一体，观者站在画前就好像在观看物外庭院发生的一幕。画家借助隐含的线条将观众的目光导向画面正中的基督：左侧的梯子，还有两边人物弯曲的背部，所有这些线加上人群的目光构成了朝向当中“势”。画面呈稳固的金字塔形结构，天使围绕的耶稣基督位于金字塔的顶端，所有的一切都是为了突出神圣的基督。
作为一幅14世纪的壁画我觉得是一幅不错的作品，描绘的技法和光线的运用都很好。“基督上十字架”的母题也很明确，放在祭坛后面应该呢个很好的发挥它作为宗教画感化信徒的作用。
我英语不好只好用中文打了，对不起搂住啦。
中世纪的壁画，从人物造型上看画家和乔托可能有什么关系（抱歉这位画家我不太了解）。人物处理上比起早期典型的拜占庭风格要生动许多。
在光线和空间的处理上充分的考虑到建筑本身结构特点，画面和建筑融为一体，观者站在画前就好像在观看物外庭院发生的一幕。画家借助隐含的线条将观众的目光导向画面正中的基督：左侧的梯子，还有两边人物弯曲的背部，所有这些线加上人群的目光构成了朝向当中“势”。画面呈稳固的金字塔形结构，天使围绕的耶稣基督位于金字塔的顶端，所有的一切都是为了突出神圣的基督。
作为一幅14世纪的壁画我觉得是一幅不错的作品，描绘的技法和光线的运用都很好。“基督上十字架”的母题也很明确，放在祭坛后面应该呢个很好的发挥它作为宗教画感化信徒的作用。
我英语不好只好用中文打了，对不起搂住啦。
全部回答
- 1楼网友：第幾種人
- 2021-04-01 18:07
作者和作品详细介绍:
ALTICHIERO da Zevio
(b. ca. 1330, Zevio, d. ca. 1390, Verona)
Crucifixion
1376-79
Fresco, 840 x 280 cm
Basilica di Sant'Antonio, Padua
The Veronese painter Altichiero studied Giotto's frescoes in Padua and borrowing from them developed new forms of pictorial architecture. Around 1380, he and Jacopo Avanzo painted a cycle of frescoes in the Chapel of San Giacomo in the Santo (the church of Sant'Antonio) in Padua. The group compositions of his Crucifixion are those of Giotto's figures, but the architecture is structured so that it seems to recede ever deeper into the background of the picture. Only a stone's throw from the chapel, the young Titian was to work in the Scuola del Santo in 1511, where he was deeply impressed by Altichiero's colour scheme and composition.
ALTICHIERO da Zevio
(b. ca. 1330, Zevio, d. ca. 1390, Verona)
Crucifixion
1376-79
Fresco, 840 x 280 cm
Basilica di Sant'Antonio, Padua
The Veronese painter Altichiero studied Giotto's frescoes in Padua and borrowing from them developed new forms of pictorial architecture. Around 1380, he and Jacopo Avanzo painted a cycle of frescoes in the Chapel of San Giacomo in the Santo (the church of Sant'Antonio) in Padua. The group compositions of his Crucifixion are those of Giotto's figures, but the architecture is structured so that it seems to recede ever deeper into the background of the picture. Only a stone's throw from the chapel, the young Titian was to work in the Scuola del Santo in 1511, where he was deeply impressed by Altichiero's colour scheme and composition.
我要举报
如以上回答内容为低俗、色情、不良、暴力、侵权、涉及违法等信息，可以点下面链接进行举报！
点此我要举报以上问答信息
大家都在看
推荐资讯