求一个油画的英文介绍

来源啊 发展历史啊
不要在线翻译 那更本不行

Oil painting is the process of painting with pigments that are bound with a medium of drying oil — especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body and gloss. Other oils occasionally used include poppyseed oil, walnut oil, and safflower oil. These oils confer various properties to the oil paint, such as less yellowing or different drying times. Certain differences are also visible in the sheen of the paints depending on the oil. Painters often use different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular feel depending on the medium.

14世纪末，尼德兰的两位画家凡 ·爱克兄弟（杨·凡·爱克及其兄胡伯特·凡·爱克）找到了一种简便的用油溶化颜料作画的方法，创作了纯粹的油画。美术史家虽不能断定凡·爱克兄弟是油画的发明者，但至少他们是在前人试验的基础上找到了一种理想的以油脂为主的绘画媒剂配方。凡·爱克兄弟发明的调油技术，据说是用一种“白布鲁日光油”和亚麻仁油混合在一起作画，用它们调和他在坦培拉绘画中使用过的颜料，发现效果很好。意大利最早研究并掌握油画技法的画家安东奈洛 14 ends of the century , two place painter all · aike brother (poplar · all · aike and their elder brother hubote · all · aike) of nidelan have found one kind of simple and convenient use painting the method dissolving pigment drawing a paint , have created pure oil painting. that the art history family determines all · aike brother though unable is the oil painting inventor , they are the drawing matchmaker agent formula giving first place to the fat having found one kind of ideal on the basis testing that in prehominid but at least. all the tune oil technology that · aike brother invents, is that "shandong sunlight oil and linen benevolence oil mix one kind of calico" drawing a paint allegedly , the effect , finding that to use them to mediate his pigment have been put into use in drawing in smooth peila is very good. most long ago, italy studies and grasps oil painting technical skill painter an dong nailuo

Oil painting is the process of painting with pigments that are bound with a medium of drying oil — especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body and gloss. Other oils occasionally used include poppyseed oil, walnut oil, and safflower oil. These oils confer various properties to the oil paint, such as less yellowing or different drying times. Certain differences are also visible in the sheen of the paints depending on the oil. Painters often use different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular feel depending on the medium. Oil painting dates in the West to at least ancient Roman times. Recent research supports the likelihood that it was spread to the West from South East Asia.Surfaces like shields — both those used in tournaments and those hung as decorations — were more durable when painted in oil-based media than when painted in the traditional tempera paints. Most Renaissance sources, in particular Vasari, credited northern European painters of the 15th century, and Jan van Eyck in particular, with the "invention" of painting with oil media on wood panel, however Theophilus clearly gives instructions for oil-based painting in his treatise, On Divers Arts, written in 1125. Early Netherlandish painting in the 15th century was however the first to make oil the usual painting medium, followed by the rest of Northern Europe, and only then Italy. The popularity of oil spread through Italy from the North, starting in Venice in the late 15th century. By 1540 the previous method for painting on panel, tempera had become all but extinct, although Italians continued to use fresco for wall paintings, which was more difficult in Northern climates.

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