主要就是蓝调的起源，种类等。
（其实大致翻译一下这个文段就差不多了：
蓝调音乐始于本世纪初美国的南部。本为贫苦黑人劳动时呐喊的短曲，而其中亦混合了在教会中类似朗诵形式的节奏及韵律。
这种音乐有一种很明显的特式，便是使用类似中国民俗唱山歌的“一呼一应”的形式进行，英文叫作“Call and Reponse”。乐句起初会给人们一种紧张、哭诉，无助的感觉，然后接着的乐句便像是在安慰、舒解受苦的人。就好像受苦的人向上帝哭诉，而其后得到上帝的安慰与响应！
所以蓝调音乐很着重自我情感的宣泄和原创性或即兴性。
这种即兴式的演奏方法，后来慢慢地演变为各种不同类形的音乐，如Rock and Roll、Swing、Jazz......所以蓝调亦是现代流行音乐的根源。
蓝调乐派按地域可分为下列几派：
简单说，Jazz 是从Blues演变来的音乐中的一支，还有另一支叫做Rock 'n Roll。早期美国黑人的音乐内容，多从非洲而来，由于黑奴来自各个不同的国家，所以黑人音乐在美国也进行了一次大交流。那种混血音乐最著名的叫蓝调（BLUES）以及散拍音乐（RAGTIME）。
用英文介绍一下蓝调音乐
答案:4 悬赏:50 手机版
解决时间 2021-02-10 15:47
- 提问者网友：無理詩人
- 2021-02-10 10:57
最佳答案
- 五星知识达人网友：雾月
- 2021-02-10 11:14
Rhythm and Blues was and still is a term used for a number of post-war American popular music forms. The term is credited to Jerry Wexler when he was editing the charts in Billboard magazine (1947). The term was used in the chart listings from 1949 onwards and the charts in question encompassed a number of contemporary forms that emerged around that time.
R&B clearly has its origins in the secular folk music of the American black musician - the Blues. For me, the Blues is essentially about emotional expression and is predominantly a vocal medium - although there are many examples of blues instrumentals to refute this assertion, it is the singer who expresses the feelings of the blues; and there are a number of vocal techniques which are used to create the desired effects. There are of course a range of blues intrumentations which accompany the central vocal performance (the bending of guitar strings, the classic bottleneck of so many of the great blues guitarists, the harmonica imitating the idioms of the human voice etc. etc.) and which clearly help to create the unique blues performance.
Although much has been written on the blues, the origins of the music are not particularly well documented. It is clearly influenced by the work songs of the deep South, ragtime, church music, minstrel shows and folk, even some forms of white popular music. The earliest and most frequently cited references to the form are to be found in the early 1900s and one of the early musical reference points is the W.C. Handy composition 'Memphis Blues'.
Rural blues developed mainly in the three key regions of Georgia, Texas and Mississippi. Excellent examples of the Georgia style include Blind Willie McTell and Blind Boy Fuller, highly melodic and less intense than the Mississippi stylists such as Charley Patton, Robert Johnson and Johnny Shines.
Interestingly however, perhaps the first real blues recordings were made in the 1920s by the women of the blues, artists such as Ma Rainey, Ida Cox and the wonderful Bessie Smith. At this stage the performances were still largely based on their stage backgrounds, backed by the leading jazz players of the day.
Muddy Waters
One of the critical external factors which moved the blues form forward was the economic migration from the American South to the cities of the North by millions of black southern workers. The blues went with them, adapting to a more sophisticated urban environment. The themes of blues songs understandably became more urban, the solo bluesman was joined by a number of other musicians and the blues combo was born. The piano, harmonica, bass and drums and, most importantly of all, the electric guitar became the cornerstone of a sound of increasing rhythmic intensity.
Some of the major urban conurbations included Atlanta, Memphis and St. Louis but there are critical milestones to be found in any number of places. John Lee Hooker found a home in Detroit, the great T-Bone Walker established a following on the West Coast and Chicago exerted an influence of real significance - Sonny Boy Williamson, Muddy Waters, Little Walter, Howlin' Wolf, Elmore James and Otis Spann were all based there.
The Blues has influenced just about everything musically which subsequently developed. Not least of which was the emergence of what came to be known as Rhythm and Blues
R&B clearly has its origins in the secular folk music of the American black musician - the Blues. For me, the Blues is essentially about emotional expression and is predominantly a vocal medium - although there are many examples of blues instrumentals to refute this assertion, it is the singer who expresses the feelings of the blues; and there are a number of vocal techniques which are used to create the desired effects. There are of course a range of blues intrumentations which accompany the central vocal performance (the bending of guitar strings, the classic bottleneck of so many of the great blues guitarists, the harmonica imitating the idioms of the human voice etc. etc.) and which clearly help to create the unique blues performance.
Although much has been written on the blues, the origins of the music are not particularly well documented. It is clearly influenced by the work songs of the deep South, ragtime, church music, minstrel shows and folk, even some forms of white popular music. The earliest and most frequently cited references to the form are to be found in the early 1900s and one of the early musical reference points is the W.C. Handy composition 'Memphis Blues'.
Rural blues developed mainly in the three key regions of Georgia, Texas and Mississippi. Excellent examples of the Georgia style include Blind Willie McTell and Blind Boy Fuller, highly melodic and less intense than the Mississippi stylists such as Charley Patton, Robert Johnson and Johnny Shines.
Interestingly however, perhaps the first real blues recordings were made in the 1920s by the women of the blues, artists such as Ma Rainey, Ida Cox and the wonderful Bessie Smith. At this stage the performances were still largely based on their stage backgrounds, backed by the leading jazz players of the day.
Muddy Waters
One of the critical external factors which moved the blues form forward was the economic migration from the American South to the cities of the North by millions of black southern workers. The blues went with them, adapting to a more sophisticated urban environment. The themes of blues songs understandably became more urban, the solo bluesman was joined by a number of other musicians and the blues combo was born. The piano, harmonica, bass and drums and, most importantly of all, the electric guitar became the cornerstone of a sound of increasing rhythmic intensity.
Some of the major urban conurbations included Atlanta, Memphis and St. Louis but there are critical milestones to be found in any number of places. John Lee Hooker found a home in Detroit, the great T-Bone Walker established a following on the West Coast and Chicago exerted an influence of real significance - Sonny Boy Williamson, Muddy Waters, Little Walter, Howlin' Wolf, Elmore James and Otis Spann were all based there.
The Blues has influenced just about everything musically which subsequently developed. Not least of which was the emergence of what came to be known as Rhythm and Blues
全部回答
- 1楼网友：北方的南先生
- 2021-02-10 13:21
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- 2楼网友：神的生死簿
- 2021-02-10 13:12
您好，本人对蓝调比较精通， 蓝调blues有以下几大类，我推荐您一些代表作品。
----------------------------------------------------------------
美国蓝调 （early american blues） 经典曲目《sweet home chicago》
现代蓝调 (modern blues) 著名乐手：stevie ray vaugan
跳跃蓝调 (jump blues) 著名乐手：charles brown
口琴蓝调 (harmonica blues） 著名乐手：paul butterfield 和 bob dylan
电子蓝调 (electric blues) 著名乐手：smokey wilson 和 eddie kirkland
三角洲蓝调 (delta blues) 著名乐手：robert johnson
乡村蓝调 (country blues) 著名乐手：skip james, brownie mcghee, lead belly
经典女性蓝调 (classic female blues) 著名乐手：ma rainey 和 bessie smith
综艺蓝调 (vandeville) 著名乐手：ma rainey 和 bessie smith
城市蓝调 (urban blues) 著名乐手：louis jordan
德克萨斯蓝调 (texas blues) 著名乐手： clarence "gotamonth" brown
沼泽蓝调 (swamp blues) 著名乐手：slim harpo
灵魂蓝调 (soul blues) 著名乐手：etta james, bobby "blues" bland
钢琴蓝调 (piano blues) 著名乐手：thomas a. dorsey。
纽约蓝调 (ny blues) 著名乐手： big joe turner
新奥尔良蓝调（new orlean blues） 著名乐手：fats domino 和 professor longhair
孟菲斯蓝调 (memphis blues) 著名乐手：陶瓶乐队（jug band）
爵士蓝调 (jazz blues) 著名乐手：mose allison
民谣蓝调 (folk blues) 代表歌曲：《成都印象》
节奏蓝调（r&b）
等等
----------------------------------------------------------------
希望对您有所帮助。
- 3楼网友：话散在刀尖上
- 2021-02-10 11:40
的起源，种类等。
（其实大致翻译一下这个文段就差不多了：
蓝调音乐始于本世纪初美国的南部。本为贫苦黑人劳动时呐喊的短曲，而其中亦混合了在教会中类似朗诵形式的节奏及韵律。
这种音乐有一种很明显的特式，便是使用类似中国民俗唱山歌的“一呼一应”的形式进行，英文叫作“Call and Reponse”。乐句起初会给人们一种紧张、哭诉，无助的感觉，然后接着的乐句便像是在安慰、舒解受苦的人。就好像受苦的人向上帝哭诉，而其后得到上帝的安慰与响应！
所以蓝调音乐很着重自我情感的宣泄和原创性或即兴性。
这种即兴式的演奏方法，后来慢慢地演变为各种不同类形的音乐，如Rock and Roll、Swing、Jazz......所以蓝调亦是现代流行音乐的根源。
蓝调乐派按地域可分为下列几派：
简单说，Jazz 是从Blues演变来的音乐中的一支，还有另一支叫做Rock 'n Roll。早期美国黑人的音乐内容，多从非洲而来，由于黑奴来自各个不同的国家，所以黑人音乐在美国也进行了一次大交流。那种混血音乐最著名的叫蓝调（BLUES）以及散拍音乐（RAGTIME）。
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